Please can you introduce yourself and tell us a
little about your work…What sort of prints do you make?
I studied Graphic
design at Brighton and also did post-graduate study at the design school in
Budapest, Hungary. My first love was etching and last year I started learning
about photo-etching which is great for capturing the subtlety and texture of my
natural history photographs.
As a complete
contrast I also like to use very low-tech processes; cardboard, stencils and
potatoes are ideal for producing very immediate, graphic work. I started using
these techniques When I was in Hungary and didn’t have access to a press. I
find the two ways of working feed each other.
Are you solely a printmaker or do you work in any
other creative fields?
I do a lot of
drawing and photography, painting, collage … I like working in different ways
it helps me to work through ideas and find the best way to express them.
What is your earliest recollection of making a print
and what made you to want to do more?
I enjoyed childhood
potato printing but it was an evening class in etching when I was in my early
twenties that really opened my eyes to how exciting printmaking could be.
What inspires you and are there any themes or ideas
that often run through your work?
Anything and
everything; daily life and the things I collect are usually the starting
points. I have always kept sketchbooks and photographed things that catch my
fancy, I pick all sorts of things up and bring them home; discarded bits of
plastic or metal that have worn in an interesting way, old culinary items,
textiles … also natural history, animal bones, fossils, bits of wood.
I love packaging,
I’ve amassed boxes of examples over the years and I’ve got scrapbooks stuffed
with pieces of old wallpaper, sweet wrappers … Signage is also big obsession
I’ve photographed hundreds of handmade signs,
municipal signs, warning signs; these things tell you so much about a place.
I’ve travelled
quite a bit, I lived in Holland for a year where I had a job observing public
transport, clearly something started there that keeps recurring, there’s a lot
to find interesting at transport terminals.
Could you give us an insight into where you work –
your studio/workspace and where you print?
A room at home has
become my studio, it’s full of the things that I’ve collected and could
more accurately be described as a
cabinet of curiosities, it’s a reflection of my interests and obsessions which
might seem random but when I put these things together I always see
connections. It can get quite chaotic there,
so it’s fantastic to be able to escape to the tranquility of Spike Print
Studio.
Which work of which other printmakers do you admire?
I’m a great
admirer of Emma Stibbon and Martyn Grimmer who both work at Spike Print
Studio. I’ve recently become aware of Jane Dixon’s work which I love.
inspirational
printmakers in my formative years would include Victor Pasmore, Joan Miro,
Antoni Tàpies, John Mufanjego, Tsugumi Ota, Emil Nolde, Picasso, David Hockney.
I’m very keen on
East European graphics and I’m in awe of Japanese printmaking.
How
would you like to develop your printmaking skills in the future?
I’d like to make larger work
Which printed publication do you most
look forward to thumbing through?
My bookshelves are very important to me, I
have lots of old copies of magazines such
as
Raw Vision and Ag which I refer to quite often. Twenty years ago I bought a book of ECM
album covers and that’s always a joy to revisit, I have also spent a lot of time recently looking
at a book of photographs by Senegalese photographer Malik Sidibé.
Monochrome
or multi-coloured?
Both
Thanks for those great answers Hilary its always really interesting to see what goes into the
ideas behind an artists work. and it looks like you'll be setting tracks in Volume 3 of the print
shop.
You can find out more about her work by visiting the artist's blog page seen below.
www.hilaryprosser.wordpress.com
The Print Shop
Unit 6
Quakers Friars
Cabot Circus
Bristol
BS1 3BU
Open Daily
Mon - Sat 10am - 6pm
Sun 11am - 5pm
Wow I love her work and her style.
ReplyDeleteLucky people of Bristol. Such adornments!
ReplyDelete